Lincoln’s Gettysburg Address – and Lord Buckley’s “hip translation” . . .

On November 19, 1863, President Abraham Lincoln gave a brief speech in Gettysburg, Pennsylvania at the dedication of a cemetery for the Union soldiers who had died in that bloody Civil War battle four months earlier.

Lincoln’s remarks came to be known as “The Gettysburg Address.”

It’s his best known speech and includes two of his most famous quotes.

One is the opening sentence:

“Fourscore and seven years ago our fathers brought forth on this continent a new nation, conceived in liberty and dedicated to the proposition that all men are created equal.”

The other the closing line, which contains the oft-cited phrase: “government of the people, by the people, for the people.”  

As noted by many sources, Lincoln appears to have based his memorable of/by/for the people line on words used in a sermon by the abolitionist preacher Theodore Parker.

During the early months of the Civil War, Lincoln’s law partner William Herndon gave the president a book of Parker’s sermons and speeches. It included a sermon titled “The Effect of Slavery on the American People,” which Parker delivered at the Music Hall in Boston, Massachusetts on July 4, 1858.

In that, Parker said: “Democracy is direct self-government over all the people, for all the people, by all the people.”

According to Herndon, Lincoln marked that sentence in pencil in the book before he wrote the Gettysburg Address.

Parker had used similar words in earlier sermons and speeches.

For example, in a speech he gave in Boston on May 29, 1850, he defined democracy as “a government of all the people, by all the people, and for all the people.” However, the of/for/by the people formulation was not coined by Parker. 

Scholars have found several of/by/for the people quotations that predate Parker’s.

In the decades since 1863, there have been countless other uses and variations inspired by the Gettysburg Address. (See this post on my Quote/Counterquote site for some examples.)

My own favorite adaptation of Lincoln’s address is the hipster version done by the late, great Richard Buckley, aka Lord Buckley.

Buckley performed as a vaudeville-style comedian from the late 1920s to the late 1940s.

Starting in 1947 and throughout the 1950s, he performed as the character “Lord Buckley,” an ultra-cool hepcat who told wild stories and recited poems using the hipster slang of black jazz musicians and beatniks.

In 1956, HIP Records released a recording of Buckley doing his “hip translation” of the Gettysburg Address. It’s included on a CD issued by Rhino in 1993 titled His Royal Hipness: Lord Buckley.

As I write this, there’s a copy you can listen to on YouTube.

Lord Buckley made it clear in his introductory remarks that, although his version is humorous, he had great respect for Lincoln and he believed Lincoln would have been able to appreciate it.

I agree. So, to honor two of my favorite orators, here in a historic side-by-side “appearance” are President Abraham Lincoln, reciting the Gettysburg Address, and Lord Buckley reciting his hip translation...

Abraham Lincoln: The Gettysburg Address***	Lord Buckley: The hip translation…
“Four score and seven years ago our fathers brought forth, upon this continent, a new nation, conceived in Liberty, and dedicated to the proposition that all men are created equal.	“Four big hits and seven licks ago, our before-daddies swung forth, upon this sweet groovy land a swingin’, stompin’, jumpin’, blowin’, wailin’ new nation, hip to the cool groove of liberty and solid sent with the ace lick dat all the studs, chicks, cats and kitties – red, white, or blue – is created level in front. In straight talk, the same, dig what I mean?
Now we are engaged in a great civil war, testing whether that nation, or any nation so conceived, and so dedicated, can long endure.	Now we are hung with a king-size main-day civil drag, soundin’ of whether that nation or any up-there nation, so hip and so solid sent can stay with it all the way.
We are met here on a great battlefield of that war.	We’s here to dig this chop-beatin’ session on the site of the worst jazz blown in the entire issue – Gettys-mother-burg.
We have come to dedicate a portion of it as a final resting place for those who here gave their lives that that nation might live.	We have stomped out here to turn on a small soil stash of the before-mentioned hassle site, as a final sweet sod pad for those who laid it down and left it there, so that this jumpin’ happy beat might blow forevermore.
It is altogether fitting and proper that we should do this.	And we all dig that this is the straightest lick ever dug.
But in a larger sense we can not dedicate — we can not consecrate — we can not hallow this ground. The brave men, living and dead, who struggled, here, have consecrated it far above our poor power to add or detract.	But diggin’ it harder from afar, we cannot take no wailin’ bows, we cannot mellow, we cannot put down the stamp of the Nazz on this sweet sod, ‘cause the strong non-stop studs, both diggin’ it and dug under it, who hassled here have mellowed it with such a wild mad beat that we can hear it, but we can't touch it.
The world will little note, nor long remember, what we say here, but can never forget what they did here.	Now the world cats will short dig, you hear what I say, short dig nor long stash in their wigs what we is beatin’ our chops around here, but it never can successively shade what they vanced here.
It is for us, the living, rather to be dedicated here to the unfinished work which they have, thus far, so nobly carried on. It is rather for us to be here dedicated to the great task remaining before us.	It is for us, the swingin’, to pick up the dues of these fine studs who cut out here and fly it through to Endsville. It is hipper for us to be signifyin’ to the glorious gig that we can’t miss with all these bulgin’ eyes.
That from these honored dead we take increased devotion to that cause for which they here gave the last full measure of devotion — that we here highly resolve that these dead shall not have died in vain; that this nation shall have a new birth of freedom; and that this government of the people, by the people, for the people, shall not perish from the earth.” ***NOTE: There are five written versions of Lincoln’s Gettysburg Address, with slight wording variations among them. The version above is from the “Hay Copy,” stored in The Library of Congress. Some scholars believe it is the version Lincoln used, but this is not known with certainty.	That from all these A-stamp studs we double our love kick, to that righteous ride for which these cats hard sounded the last 'nth bong of the bell of their bell. That we here want it stuck up straight for all to dig that these departed studs shall not have split in vain; that this nation, under the great swingin’ Nazz, shall ring up a whopper of endless Mardi Gras, and that the Big Law of you straights, by you studs, and for you kitties, shall not be scratched from the big race.”

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The genesis of “the Almighty Dollar” – from Genesis to Washington Irving...

The word almighty, used in connection with God, appears 57 times in the King James Version of the Bible.

Starting in the Book of Genesis, God is variously referred to as “the Almighty God,” “God Almighty” and, most often, simply as “the Almighty.”

The English idiom “the almighty dollar,” which is commonly used to mock the worship of wealth and money, does not come from the Bible.

It was coined in 1836 by the American author Washington Irving, whose best known works include the short stories “The Legend of Sleepy Hollow” and “Rip Van Winkle.”

There is an earlier, similar term. In 1616, the English playwright and poet Ben Jonson used the term “almighty gold” in his poem “Epistle to Elizabeth, Countess of Rutland.”

But the more familiar “almighty dollar” first appeared in a travel story Irving wrote about a steamboat trip he took through the Louisiana bayous.

The story, titled “The Creole Village,” was originally published in the November 12, 1836 issue of Knickerbocker Magazine.

Irving was impressed by the laid back lifestyle of the Creole people who lived in Louisiana’s bayou country and by how unconcerned they seemed (at least to him) about making or having money.

He wrote in his travel piece:

“The inhabitants, moreover, have none of that eagerness for gain and rage for improvement which keep our people continually on the move...In a word, the almighty dollar, that great object of universal devotion throughout our land, seems to have no genuine devotees in these peculiar villages; and unless some of its missionaries penetrate there, and erect banking houses and other pious shrines, there is no knowing how long the inhabitants may remain in their present state of contented poverty.”

Near the end of the piece, Irving opined:

“As we swept away from the shore, I cast back a wistful eye upon the moss-grown roofs and ancient elms of the village, and prayed that the inhabitants might long retain their happy ignorance, their absence of all enterprise and improvement, their respect for the fiddle, and their contempt for the almighty dollar.”

I suspect this romantic vision overestimated how content the locals were to be poor.

Of course, in 1855, when “The Creole Village” was included in a collection of his stories called Wolfert’s Roost, Irving made it clear that he had meant no offense — to the almighty dollar, that is.

In a satirical footnote in that book (later included in larger Irving anthologies like The Crayon Miscellany), Irving wrote:

“This phrase [the almighty dollar], used for the first time in this sketch, has since passed into current circulation, and by some has been questioned as savoring of irreverence. The author, therefore, owes it to his orthodoxy to declare that no irreverence was intended even to the dollar itself; which he is aware is daily becoming more and more an object of worship.”

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“O Liberty! What crimes are committed in thy name!”

In 1781, a young French woman named Marie-Jeanne Philippon married wealthy businessman Jean-Marie Roland, thus becoming known as Madame Roland.

Madame Roland and her husband were early supporters of the democratic goals of the French Revolution. 

They became active leaders of the progressive but moderate pro-democracy party called the Girondists.

The Girondists supported changing France’s political system from an absolute monarchy to a more democratic constitutional monarchy, like England’s.

Unfortunately for the Rolands — and for French King Louis XVI and many other French citizens — a much more extreme group took control of France a few years after the storming of the Bastille.

They were called the Jacobins and were responsible for the infamous “Reign of Terror.” 

During that bloody period in 1793 and 1794, Maximilien Robespierre and other Jacobin leaders imprisoned and executed tens of thousands of French citizens.

The victims included members of aristocratic families who had benefited from the previous monarchical system, open or suspected supporters of Louis XVI, and advocates of any future monarchical system.

Others were killed simply because top Jacobins viewed them as political rivals or disliked them.

When the Rolands publicly criticized the worst excesses of the Reign of Terror, the Jacobins responded by ordering their arrest for “treason.”

Madame Roland was arrested and imprisoned in Paris in the spring of 1793.

Her husband Jean-Marie was traveling at the time.

When he heard his of wife’s imprisonment, he went into hiding.

On November 8, 1793, after months in prison, Madame Roland was sent to the guillotine, a few weeks after Marie Antoinette met the same fate.

On the way to her execution, Madame Roland passed a large statue of the Goddess Liberty that her former political comrades had erected nearby (the same goddess portrayed by the Statue of Liberty in New York Harbor).

According to historical accounts of the day, when Madame Roland saw the statue she looked at it sadly and made a remark that’s included in many books of famous quotations:

“O Liberté, que de crimes on commet en ton nom!” (“O Liberty! What crimes are committed in thy name!”)

Shortly after saying these words, Madame Roland was beheaded.

After Jean-Marie Roland heard of his wife’s death, he wrote a suicide note that said: “From the moment when I learned that they had murdered my wife, I would no longer remain in a world stained with enemies.”

He attached the note to his chest.

Then he ran his cane-sword through his heart, becoming another victim of the Reign of Terror.

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As Maine goes, so goes: (a) the nation (b) Vermont . . .

In the November 1936 presidential election, President Franklin Delano Roosevelt was reelected for a second term in a landslide victory over his Republican opponent, Kansas Governor Alf Landon.

Roosevelt received more than 60% of the vote and won in all but two states – Maine and Vermont.

On November 4, 1936, the day after the election, Roosevelt’s campaign manager James A. Farley gave reporters what would now be called a good sound bite.

“As Maine goes, so goes Vermont,” he quipped.

Farley’s witty remark soon became a famous humorous political quotation.

It was especially funny to political observers because it’s a take-off on the older saying: “As Maine goes, so goes the nation.”

What’s the origin of that venerable political proverb?

It is sometimes claimed to be based on the fact that Maine was the first state to enact a law prohibiting alcohol in 1851.

For example, an article published in the Boston Globe in 2000 said it “was coined at the peak of the state’s 19th-century temperance movement, in an era when New England shaped national opinion on fundamental issues from slavery to child labor to women's suffrage.”

But that temperance theory is wrong.

Nor is the saying based on Mainers’ record on votes for president.

In fact, historically, Mainers have voted for a higher percentage of losing presidential candidates than many other states.

The saying “As Maine goes, so goes the nation” primarily stems from the fact that Maine once held its state elections for Governor, U.S. Senators and Congressmen and other non-presidential offices in September – two months before other states.

The outcome of this unique early election was seen as an indication of how the political winds were blowing in general for the Democrat and Republican parties.

Maine’s September election, on the second Monday of the month, was created in its constitution in 1820, when it split from Massachusetts to became a separate state.

In presidential election years, Mainers also went back to the polls in November to vote on the presidential race.

In 1957, Maine changed its election law and, in 1960, started holding all general elections on the same November election dates as other states.

But even though Maine’s old September election tradition is gone, the saying “As Maine goes, so goes the nation” has lived on – as has James Farley’s update, “As Maine goes, so goes Vermont.”

In 1972, some observers thought Maine gave a different sign of things to come in politics when it passed a law making it the first state to allow its electoral vote to be split. Under that law, the winner of each congressional district gets one electoral vote, and the winner of the statewide vote gets the state's remaining two electoral votes.

Supporters of that law touted it as a more democratic alternative to the traditional system of having all of a state’s electoral votes go to the presidential candidate who gets the most votes statewide.

As it turned out, the nation didn’t go that way. In 1996, Nebraska became the only other state to pass a similar law, though I don’t think it led anyone to start saying: “As Maine goes so goes Nebraska.”

NOTE: If you’d like to read more about the 1936 election, FDR and James Farley, I recommend the book Mr. Democrat: Jim Farley, the New Deal and the Making of Modern American Politics.

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“Live from New York, it’s Saturday Night!” (and finger-eating wolverines)

On October 11, 1975, at 11:30pm Eastern Time, a new TV comedy show debuted on the NBC network.

It opened with a wacky skit featuring three comic actors who were virtually unknown at the time.

In the skit, a frumpy-looking East European immigrant with a heavy accent is being tutored on how to speak proper English by a well-dressed teacher.

They are sitting in comfortable chairs next to each other in a small room.

The teacher starts a repeat-after-me type lesson with an unusual language exercise about wolverines…

       TEACHER: “Let us begin. Repeat after me. I would like...”

       IMMIGRANT: (With a noticeable accent.) “I wude like...”

       TEACHER: “...to feed your fingertips...”

       IMMIGRANT: “...to feed yur fingerteeps...”

       TEACHER: “...to the wolverines.”

       IMMIGRANT: “...to de woolvur-eenes.”

After a couple more odd exercises about wolverines and badgers (or, “woolvur-eenes” and “bed-jurs” as the immigrant pronounces them), the teacher suddenly gasps, clutches his chest and falls to the floor, apparently dead from a heart attack.

The European immigrant looks confused for a moment.

Then he gasps, clutches his chest and falls to the floor, copying the professor.

Next, a Stage Manager walks into the scene, smiles into the camera and says, for the very first time, what would soon be a well-known line:

       “Live from New York, it’s Saturday Night!”

The three not-yet-famous comedians in the skit were: John Belushi a former Second City improv performer who went on to become one of the most beloved comic actors in the world prior to his tragic death in 1982 from an apparent drug overdose; Michael O'Donoghue, a former National Lampoon magazine writer picked as head writer for the new show (who died of a cerebral hemorrhage in 1994 at age 54); and, the fortunately still living comic legend, Chevy Chase, who was best known at the time as a cast member of the National Lampoon Radio Hour.

All three were among the amazingly talented group of original cast members of the show, which was officially titled NBC’s Saturday Night when it started airing in 1975, but soon came to be called Saturday Night Live, or SNL for short.

The revolving, evolving group of comic actors who performed comedy sketches on NBC’s new Saturday Night series were collectively dubbed the “Not Ready for Prime Time Players.”

The voice heard after Chevy Chase on the historic first episode was that of longtime television show announcer Don Pardo, reading the names of the performers who would be appearing (a function he continued on SNL until his death in August 2014). The first host was my favorite curmudgeon, the great George Carlin (1937-2008).

I was watching the premiere of SNL that night and watched the show almost every weekend for nearly 20 years. Nowadays, I record the show on DVR and watch the opening long enough to hear the famed line “Live from New York, it’s Saturday Night!”

I check out who the guest host and musical guest will be. Then I usually fast forward a lot, though skits that rarely strike me as funny as anything done by the early “Not Ready for Prime Time Players.” I often have no idea who the guest hosts or musical performers are and don’t understand most of the jokes that include current pop culture references.

Yep, I’m nearly as old as John Belushi would have been if he’d survived his oversized lust for life and I’m nearly as much of a curmudgeon as George Carlin. I miss them both.

Of course, there are some things I do like about the modern world. For example, I can now rewatch old episodes of Saturday Night Live any time I want as streaming video on my iPad.

And whenever I get nostalgic and rewatch the opening skit that turned the lines “I would like to feed your fingertips to the wolverines” and “Live from New York, it’s Saturday Night” into catchphrases, it still cracks me up.

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Sherlock Holmes quotes that Arthur Conan Doyle’s Sherlock did and didn’t say…

Naturally, some of the best known Sherlock Holmes quotations and catchphrases come from the classic detective stories written by Sherlock’s creator, British author Sir Arthur Conan Doyle (1859-1930).    

For example, there’s the famed sleuthing maxim that’s cited by thousands of quotation books and websites: “When you have eliminated the impossible, whatever remains, however improbable, must be the truth.”

Versions of that Holmesian principle are used in several Sherlock Holmes stories. The first is spoken by Sherlock in Chapter 6 of Doyle’s story “The Sign of Four” (1890).

The full sentence in which he used it, in a conversation with his mystery-solving partner Dr. John H. Watson, is: “How often have I said to you that when you have eliminated the impossible, whatever remains, however improbable, must be the truth?”

Doyle also used variations of it in two other stories: “The Beryl Coronet” (1892) and “The Blanched Soldier” (1926).

In “The Beryl Coronet” Holmes says to a banker named Mr. Alexander Holder: “It is an old maxim of mine that when you have excluded the impossible, whatever remains, however improbable, must be the truth.”

Early in the story “The Blanched Soldier,” Holmes explains to some concerned clients that his investigation process “…starts upon the supposition that when you have eliminated all which is impossible, then whatever remains, however improbable, must be the truth.”

Another famous Sherlockian catchphrase is “a three-pipe problem.” It comes from the story “The Red-Headed League” (1891). In that, when Dr. Watson asks Holmes what he will do to begin to solve a new case they’d been presented with, Holmes says he will start by smoking his pipe. He explains: “It is quite a three pipe problem, and I beg that you won’t speak to me for fifty minutes.”

One of the best-known phrases that comes from Doyle’s stories about the adventure of Sherlock Holmes is “the game is afoot.” It’s so well known you’d think it was some repeated line of Sherlock’s. But in the Doyle stories it is used in only one, “The Adventure of the Abbey Grange” (1904).

In that story, Holmes rousts Dr. Watson out of bed and says: “Come, Watson, come!…The game is afoot. Not a word! Into your clothes and come!”

The famous quotations from Doyle stories noted above have all been used in later radio, movie and TV adaptations.

However, two of the most widely-quoted Sherlock Holmes quotations used in those mediums don’t come from the stories penned by Sir Arthur Conan Doyle.

For example, Doyle’s Sherlock never said “Elementary, my dear Watson.”

In the story “The Crooked Man” (1893), Doyle’s Sherlock does say the word “Elementary” to his friend Doctor Watson, after Watson expresses surprise that Holmes had correctly guessed the doctor had had a busy day. But Holmes does NOT say “Elementary, my dear Watson” in that story or in any other Sherlock Holmes story written by Doyle.

As noted in a definitive post by Garson O’Toole on his Quote Investigator site, the phrase “Elementary, my dear Watson” was floating around in the early 1900s, but Sherlock Holmes movies probably deserve the credit for making it a widely known catchphrase.

The first movie to use it was The Return of Sherlock Holmes (1929). It starred Clive Brook as Sherlock and was released in the USA on October 26, 1929.

The line was then reused in several other Sherlock Holmes films, including: Sherlock Holmes' Fatal Hour (1931), The Sign of Four: Sherlock Holmes' Greatest Case (1932), Sherlock Holmes and the Voice of Terror (1942), Pursuit to Algiers (1945), The Hound of the Baskervilles (1959).

Another line often cited as a Sherlock Holmes quote which does not appear in Doyle’s stories is “Quick, Watson, the needle.” 

That originated in a comedic operetta titled The Red Mill (1906), which premiered on Broadway on September 24, 1906.

Ironically, the operetta is not a Sherlock Holmes story. The “needle” line is a quip by a con man who is impersonating Sherlock as part of a scam.

The Sherlock Holmes film Hound of the Baskervilles, released on March 31, 1939, further confused the facts about whether it was “real” Sherlock quotation.

In that film — one of the best of a series Holmes films that starred Basil Rathbone as the great sleuth — Basil says: “Oh, Watson, the needle.”

There’s no such quote about a needle in Doyle’s stories, though Doyle did tell us that Sherlock was a user of both cocaine and morphine.

In Doyle’s story “A Study in Scarlet” (1887), Watson comments that he often found Sherlock in a dreamlike state and “suspected him of being addicted to the use of some narcotic.”

Three years later, in Doyle’s “The Sign of Four,” fans of Sherlock first read about the “seven-percent-solution.”

As that story begins, Watson sees Sherlock injecting himself with a needle and notices ugly track marks on his arm.

“Which is it today,” Watson asks, “morphine or cocaine?”

“It is cocaine,” Sherlock replied, “a seven-per-cent solution. Would you care to try it?”

Since then, the drug habit of the world’s greatest detective has sparked continuing controversy, articles, books and a great movie, Nicholas Meyer’s film The Seven-Per-Cent Solution (1976), adapted from his novel of the same name.

Sherlock’s use of cocaine and versions of various Sherlock quotes continue to show up in recent Sherlock Holmes movies, TV series and books. Indeed, the great detective seems to be more popular than ever. And, if you’re a fan (like me), it’s no mystery why.

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“Whatever is worth doing…

LORD CHESTERFIELD’S MAXIM: “Whatever is worth doing at all, is worth doing well.”        Lord Chesterfield (Philip Dormer Stanhope, 4th Earl of Chesterfield; 1694-1773)        British statesman and diplomat        One of the many bits of fatherly advice Chesterfield imparted in letters to his illegitimate son, Philip Stanhope. This one is from a letter dated March 10, 1746.         Chesterfield’s use is generally thought to have led to the modern proverbial version: “If a thing is worth doing, it’s worth doing well.”

THE ECDYSIAST’S COUNTERQUOTE: “If a thing is worth doing, it’s worth doing slowly — very slowly.”         Gypsy Rose Lee (Rose Louise Hovick; 1911-1970)         American Burlesque queen and author         This quip has been widely attributed to Lee in the decades since her death and appears to have been a favorite witticism of hers. However, there doesn’t seem to be any record of her saying it or using it in any of her books while she was alive.

CHESTERTON’S COUNTERQUOTE: “If a thing is worth doing it is worth doing badly.”        G.K. Chesterton (1874-1936)         English writer, philosopher and critic        A line from his book What’s Wrong with the World (1913). In context, it was his way of praising hobbies and other activities done by amateurs for pleasure, even if they have no special talent for them.

WALLY’S WISDOM: “My philosophy is that anything worth doing is too hard.”         The character Wally, in the December 27, 2004 edition of Scott Adams’ comic strip Dilbert.

MAYBE MICK’S MOTTO?: “Anything worth doing is worth overdoing.”         This saying is widely attributed to Mick Jagger, but without any specific citation of when he may have said it. The Yale Dictionary of Modern Proverbs says it dates back to at least 1962, when it was used in the headline of an ad for Jantzen Sportswear.

THE SUCKY BEGINNINGS PRINCIPLE: “Anything worth doing is going to suck at the beginning. Anything worth doing is meant to require pain and sacrifice. Herein lies the problem facing America, which originally was built on the moral of impulse control. What once used to be a country filled with people sacrificing momentary pleasure for a better future, the overpowering message of today is live for the moment.”         Benjamin P. Hardy         American columnist and author         In one of his posts on the TheLadders.com site (Jan. 22, 2019)     *     *     *     *     *     *     *     *     *     * Comments? Corrections? Questions? Email me or post them on my Famous Quotations Facebook page. Related reading, viewing and listening…